JS Bach - Complicite
£17.05
Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
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Label: Supertrain Records
Cat No: STR075
Format: CD
Number of Discs: 1
Release Date: 27th June 2025
Contents
Works
Cantata BWV161 'Komm, du susse Todesstunde'Chorale Prelude BWV617 'Herr Gott, nun schleuss den Himmel auf' (arr. S Dinnerstein)
Keyboard Concerto no.2 in E major, BWV1053
Orchestral Suite no.3 in D major, BWV1068
Artists
Simone Dinnerstein (piano)Jennifer Johnson Cano (mezzo-soprano)
Peggy Pearson (oboe d’amore)
Baroklyn
Conductor
Simone DinnersteinWorks
Cantata BWV161 'Komm, du susse Todesstunde'Chorale Prelude BWV617 'Herr Gott, nun schleuss den Himmel auf' (arr. S Dinnerstein)
Keyboard Concerto no.2 in E major, BWV1053
Orchestral Suite no.3 in D major, BWV1068
Artists
Simone Dinnerstein (piano)Jennifer Johnson Cano (mezzo-soprano)
Peggy Pearson (oboe d’amore)
Baroklyn
Conductor
Simone DinnersteinAbout
Complicité also includes Bach’s Keyboard Concerto in E major, BWV1053, and his chorale Der Leib war in der Erden, BWV161 (arranged by Dinnerstein and Baroklyn); Bach’s Cantata 170, Vergnügte Ruh, beliebte Seelenlust, with continuo realisation by Philip Lasser; and In the Air, Lasser’s recomposition of Bach’s Air on the G String. Jennifer Johnson Cano, mezzo-soprano, and Peggy Pearson, oboe d’amore, join Dinnerstein and Baroklyn on this deeply felt recording, which embodies Dinnerstein’s artistic vision that music should always be creative and new.
Of the album title, Dinnerstein says, “Complicité is a term that I first heard from my son, who studied the teachings of the French theatre practitioner, Jacques Lecoq. Three important ideas that Lecoq communicated to his students were le jeu (playfulness), complicité (togetherness), and disponsibilité (openness). I was so intrigued by these ideas, and the different exercises that my son learned in order to cultivate these skills within ensemble acting, that I decided to try a Lecoq approach with my own musical ensemble, Baroklyn.”
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